Here are the following 9 questions that i created after the creation of my teaser trailer rough cut 1:
1. Does this production entice you into wondering, what is ForeSight?
2. What genre does the trailer portray?
3. How do you feel about the music? E.g. does it fit in with the trailer? Or does it flow and incorporate well within the teaser trailer?
4. Do you feel that this trailer would fulfil its purpose as a teaser trailer to entice an audience?
5. How would you describe the trailer?
6. Would it make you want to ask more questions about ForeSight?
7. Are you interested in further developments of ForeSight?
8. What was the most memorable/eye catching moment within the trailer?
9. How could this trailer be improved?
The results were very positive and i have recieved various opinions on how i can improve. One elemant that seemed to pop up on numerous occasions was the music, it was seen as a key element of the trailer and the majority of questionaires copmpleted said it went with the trailer excellently. I also receieved commenst on how the music can be improved, for example their could have been more levels of depth throughout the music. Aswell as this level of depth throughout the music another aspect that is in need of improving is the level of titles.
I will develop this trailer further taking into concideration the feedback which i have recieved. I will focus on the development of a more layed music composition, yet keep the sombre connotations meanwhile i shall create grander titles to create a more proffesional looking, and eye catching production.
Thursday, 19 January 2012
Wednesday, 18 January 2012
Teaser Trailer Rough Cut 1
Here is my first rough cut of my teaser trailer for ForeSight. Any form of feedback will be excellent! And I must Thank James McCormick for the composition, Thanks James!
It is only a short piece that is aimed to be very eye catching and unique which focuses around the excellent composition. Its key aim was to be mysterious, and make audiences beg questions and research ForeSight into more detail, it was aimed to give very little away, meaning audiences can use their imagination to ponder what is the plot line and continue to create questions.
Anyway folks here it is, i recommend that you watch it within its HD format:
Photo Storyboard for Teaser Trailer
Here is the photo storyboard for my teaser trailer, as you see it is different from the sketched. This was because after I received the music piece I was going to work around from James McCormick I visualised a much more structured idea that created a bigger tone of mystery that I wanted to portray within the teaser trailer.
PSTT
James McCormick
My good friend James McCormick has finished the first attempt of the Ludovico Einaudi's 'Ancora' piece that I asked for, Here it is:
I am very pleased with it, it is exactly the right pacing and tone that I wanted.
Quick Shot list for Teaser Trailer
Here is a section of the theatrical trailer which i wish to turn into a teaser trailer, it is aimed to be a very short peice of footage that doesnt give alot of clues as to what the production is about. It is aimed at enticing audiences into asking questions such as 'I wonder what this is about?' I aim to use the section of Ludovico Einaudi's Ancora that my good friend James McCormick has covered by my request. This will be a focal part of the teaser trailer as the images shown will follow the parth of the sombre piano.
Take into concideration that the shots will only last for very short periods of time and there are intervals where the music slows down however ere is a simple shot list for the teaser trailer:
| 1 | CU on protagonists girlfriends face, |
| 2 | ES looking down upon London, |
| 3 | MS police beating up a victim on the floor, |
| 4 | CU on protagonists girlfriends face, |
| 5 | MS of body sleeping on floor at night |
| 6 | LS of person running through alley |
| 7 | BEV onto falling piece of paper |
| 8 | MS people running |
| 9 | LS crowd of people |
| 10 | LS train shot half a second |
| 12 | EST onto key buildings |
| 13 | ECU Girlfriends Eye shot half a second |
| 14 | POV onto someone needing help |
| 15 | POV onto shot of smashed balcony window |
| 16 | ECU onto girlfriends eye |
| 17 | POV onto dark alleyway |
| 18 | POV onto ruined building |
| 19 | ECU onto girlfriends eye |
| 20 | POV onto bare Pier |
| 21 | POV onto crowd of strikers |
| 22 | ECU onto Girlfriends eye |
Music
I take a huge amount of inspiration from music when creating a production, it helps me focus and follow a path that is direct. After coming up with the concept I found many compositions of music which I took inspiration from, including:
Ludovico Einadui - Fly
Ludovico Einadui - Ancora
Ludovico Einadui - Fly
Ludovico Einadui - Ancora
M83 - Midnight City
I took huge inspiration from all three of these tracks, M83's pulsating electric synthesisers too Einaudis slow, gentle yet sombre compositions.
My friend James McCormick studied a music degree, and i approached him to see if he would be up for getting involved within this trailer. Thankfully James has agreed and i have asked for a cover of the final stages of Ancora, which i wish to use in a varied set of montage shots throughout the trailer and for the use within a mysterious teaser trailer. I have also asked for a cover of Fly which I wish to be using throughout the begging stages of the theatrical trailer, I asked James to recreate the pacing of fly yet have an even lower sombre feel to create further connotations of struggle.
Moodboard
Sunday, 8 January 2012
Shooting Script
Here is the shooting script for my theatrical trailer of foresight.
Piano Music 1 is inspiration from 'Fly' by Ludovico Einaudi. This piece is aimed to be fast paced with a sombre tone to create an impression of turmoil for the protagonist.
Piano Music 2 on the other hand is inspiration from 'Ancora' by Ludovico Einaudi. This is also aimed to contain a sombre tone, however it is a much slower pace with pauses which will integrate with the editing.
| Shots | Description | Audio and Dialogue |
| 1 | ES onto morning sun | Ambient |
| 2 | CU open packet of bacon | Diegetic sizzling bacon |
| 3 | MS protagonist making breakfast | Diegetic sizzling bacon |
| 4 | MS protagonist going to fridge | Diegetic sizzling bacon and Vacuum of fridge |
| 5 | MS protagonist stubs toe | Diegetic sizzling bacon Loud bang of toe |
| 6 | Shots rewound extremely quickly back to MS of protagonist, zooms into shocked eyes | Tape spooling |
| 7 | LS protagonist talking to GF at a distance | Non diegetic piano 1 |
| 8 | LS soldiers in position | Non diegetic piano 1 |
| 9 | CU track feet running | Non diegetic piano 1 |
| 10 | LS soldiers moving | Non diegetic piano 1 |
| 11 | CU track legs running | Non diegetic piano 1 |
| 12 | LS soldiers running | Non diegetic piano 1 |
| 13 | CU on puddle protagonist runs through it 5 seconds later 3 soldiers feet run through | Non diegetic piano 1 |
| 14 | MS track soldiers running at camera, camera moves around to the right, continues to go behind soldiers but at same pace and you see mysterious character into shot, but only the behind of mysterious character then soldier jumps onto protagonist and restrains him | Non diegetic piano 1 |
| 15 | ECU onto foot (legs tied together) camera rises slowly | Non diegetic piano 1 |
| 16 | MS person in suit by a window | Non diegetic piano 1 |
| 17 | ECU onto legs, camera raises to trunk | Non diegetic piano 1 |
| 18 | MS onto person in suit turning | Non diegetic piano 1 |
| 19 | ECU onto trunk raises to high chest/lower neck | Non diegetic piano 1 |
| 20 | MS onto person looking determined | Non diegetic piano 1 |
| 21 | ECU onto face of protagonist, he is then pulled back into a room | Non diegetic piano 1 |
| 22 | POV onto ceiling pans onto MS of doctor back turned facing a table of surgical stuff, slightly blurry | Non diegetic piano 2 |
| 23 | CU on protagonists girlfriends face, | Non diegetic piano 2 |
| 24 | ES looking down upon London, | Non diegetic piano 2 |
| 25 | MS police beating up a victim on the floor, | Non diegetic piano 2 |
| 26 | CU on protagonists girlfriends face, | Non diegetic piano 2 |
| 27 | POV low angle onto floor looking down onto tied up legs, | Non diegetic piano 2 |
| 28 | MS of body sleeping on floor at night | Non diegetic piano 2 |
| 29 | LS of person running through alley | Non diegetic piano 2 |
| 30 | BEV onto falling piece of paper | Non diegetic piano 2 |
| 31 | POV shot MS onto doctor walking over to another surgical table and pans down to his own body to see him tied down. | Non diegetic piano 2 |
| 32 | MS people running | Non diegetic piano 2 |
| 33 | LS crowd of people | Non diegetic piano 2 |
| 34 | LS train shot half a second | Non diegetic piano 2 |
| 35 | EST onto key buildings | Non diegetic piano 2 |
| 37 | ECU Girlfriends Eye shot half a second | Non diegetic piano 2 |
| 38 | POV onto doctors face | Non diegetic piano 2 |
| 39 | POV onto someone needing help | Non diegetic piano 2 |
| 30 | POV onto shot of smashed balcony window | Non diegetic piano 2 |
| 41 | ECU onto girlfriends eye | Non diegetic piano 2 |
| 42 | POV onto dark alleyway | Non diegetic piano 2 |
| 43 | POV onto ruined building | Non diegetic piano 2 |
| 44 | ECU onto girlfriends eye | Non diegetic piano 2 |
| 45 | POV onto bare Pier | Non diegetic piano 2 |
| 46 | POV onto crowd of strikers | Non diegetic piano 2 |
| 47 | ECU onto Girlfriends eye | Non diegetic piano 2 |
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